I’m presently participating in Jeff Howe’s international Twitter book club, better known as #1B1T (One Book One Twitter). If you missed the 1B1T NPR broadcast produced by Laura Sydell (including my one minute of fame), it can be heard here.

The tweeters have spoken, and they want to read Neil Gaiman’s American Gods. At the moment, readers *should* all be on Chapters 4-6, marking our tweets #1b1t_4c (and so on for each chapter) to prevent spoilers, and wearing our official book club badge. I think membership is in the 6,000+ range now, so good governance is a must to maintain a cohesive conversation. I’m having a hard time keeping up, but like all online social groups, the best part is the offline outcomes, like the geek-out conversations I’m now having with Houston readers, Grant McManus, and Carlos Lama (a.k.a. father of my Lamas). American Gods was a good choice for comic book, fantasy or sci-fi enthusiasts, like us.

I adore projects that extend the social web beyond its known capacity, and often wonder what an artist like Andy Warhol would have done with his Twitter account? Would he have had one? Of course. Warhol tackled new technology–from the first consumer video camera to the first computer with a drawing application–the minute it was unveiled. Would he have tweeted live before an audience at Lincoln Center?

One of the 1B1T logistical problems thus far has been keeping pace with the volume of conversations on twitter. As I’ve been writing this entry, no fewer than 25 #1b1t tweets have been posted, and most are just observations or non-starters. The conversations online aren’t especially reciprocal or enduring as of now. Another issue is *some readers* clearly subscribe to the Evelyn Wood school of speed reading, and have completed the entire book. They’re already smoking a cigarette, and I’m still getting undressed.

According to R.A. Hill and R.I.M. Dunbar in the paper “Social Network Size in Humans,” the average person has capacity (in his/her neocortex) to remember 153.5 different individuals. What do I do with 6000+ instant new friends?

Even in contemporary western societies, where individuals are operating egocentric networks within a virtually infinite array of social possibilities, social network size and differentiation reflect the sociocentric networks observed in traditional societies, suggesting that the cognitive constraints on network size may apply universally to all modern humans.–R.A. Hill and R.I.M. Dunbar

“Indirect Collaboration” is a blog that I and my indirect collaborators, i.e.,  SXSW co-panelists (Joe Alterio, Tim Lillis, Riley Crane & Josh Glenn), will be posting to in the lead up to SXSW Interactive. The theme of our panel is “The role of crowd-sourced input on the creative process.” I was invited to represent the art exhibition side of the equation, namely my involvement in organizing Phantom Captain: Art & Crowdsourcing at apexart, as well as a Never Been to Tehran, Never Been to Houston, and TxtMeL8r – all exhibits with works generated by the crowd. (Both of the Never Been exhibits were co-organized with artist Jon Rubin, my hero.)

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Jon Rubin and I have organized another exhibit together called Never Been to Tehran. NBTT opened this week at several exhibition spaces around the world, including Tehran. The project asks participants to take photos in their own environment of what they think Tehran, Iran might look like. There are 29 international participants who are uploading 3-5 photos per week to a universal photosharing site; the slideshow of the photos is projected from an internet connection into the exhibition spaces. Over the next 4 weeks, the exhibit will evolve from a few dozen photos to a few hundred, while the participants continue to research Tehran and respond (in some cases) to the other photos contributed. Visit the Never Been to Tehran website here.

Image by NBTT participant, Heidi Hove Pedersen, Copenhagen, Denmark