Here are some random notes I jotted down yesterday during Open Video Alliance’s Wireside Chat with Lawrence Lessig. Mind you, I *was* multi-tasking!

john philip sousa
infernal machines
reaction to phonograph – demise of music
technology and policy
2002 – began to change!
technology gave back
revival of the community culture that sousa celebrated
remix culture – music, Beatles white album, JZ black album, DJ Danger Mouse, grey album, girl talk remix 230 trax in a single performance.
anime music videos
technique has nothing to do with remixing importance
it’s that the technique has been democratized
2006 – another change!
youtube
facilitating a call and response in the way culture gets made and consumed
youtube video inspired spin-off youtube video inspired spin-off youtube video … millions of viewers
this begins to be precisely what sousa romanticized
rather than gathering on the back lawn
they gather on this online platform
creating bits of culture
ALL DEPENDS ON PRINCIPALS OF FAIR USE & FAIR USE CODECS
rip : a remix manifesto- movie
lib(ertarian) julian sanchez summation
new kind of amateur culture, extraordinarily professional in what it produces
walt disney’s greatest works were derived from those of the past: brothers grimm, inspired by other creative works, mickey mouse based on steamboat bill
every episode of disney’s little einsteins uses classical music or works of art
sonny bono legislation extending copyright
free culture, free codecs
a business that leverages user value through reviews, recommendations, feedback that channels people to things they want to buy
every search is a gift to google – market data provided by users working for free
on the other hand
flickr twitter yelp – build value by encouraging people to contribute something back
copyright holders are a share cropping vision of future of digital creativity
no reason to regulate amateur activity; there’s no market
with sharable licenses: consumers add value back

wild card! what does the science say: not what does the industry want it to say